A Return to the Whaling Station

Warning: This blog post contains graphic images of whales being butchered at a whaling station. If you do not want to see this, please do not read on.

 

In my previous blog post here I wrote about my experiences visiting the whaling station in Hvalfjörður. In reality, on that occasion, I only saw the clean up part of the whaling process and did not see any newly returned whales being butchered. None the less it was an extremely sad experience and I didn't think it would be possible to see anything worse than this. I could not have been more wrong.

Earlier this week I was notified that one of the boats had returned after a successful hunt. I immediately got into my car and drove for an hour to the station.

I again parked at the viewing spot just above the station. There was another car there along with two guys from Sea Shepherd who were documenting what was happening. As I opened the car door I was hit by the worst smell I have ever come across. A mix of iron, chemicals, cooked meat and decay is about the best I can do in describing it. I imagine this is what people are describing when they talk about the smell of death. I almost retched. Phil, one of the Sea Shepherd guys, I think could see my reaction and it was all I could do to not breath in as we made our introductions. His colleague Sam was along the fence where the smell was apparently worse (I can confirm that was somehow unbelievably the case). Below were the remains of the first of two whales that had been brought back. This makes up the first set of images. 

Over the next 4-5 hours I witnessed them completed the butchering of this whale and the subsequent butchering of the second whale. All the while music was blaring out - Paul Simon's "You Can Call Me Al" will never sound the same.


If you are affected by what you see below and want to help in some way, please do share this post and please consider writing to the following email addresses or offices as per Sea Shepherds suggestion:

"Please email or write polite letters voicing your support for Iceland's whale watching industry and the establishment of a national whale sanctuary in Iceland's territorial waters:

Katrín Jakobsdóttir
Prime Minister of Iceland
The Prime Minister's Office
Stjornarradshusid vid Laekjartorg
101 Reykjavik, Iceland
E-mail: postur@for.is

Guðmundur Ingi Guðbrandsson
Minister for the Environment and Natural Resources
Skuggasund 1
101, Reykjavik, Iceland
E-mail: postur@environment.is

Ferðamálastofa
Icelandic Tourism Board
FERÐAMÁLASTOFA
Geirsgata 9
101 Reykjavík, Iceland
E-mail: upplysingar@ferdamalastofa.is"


Ok, here are the images - please click to see larger if you wish:

Blood pours onto the whalers boots as he cuts through the top of the whale

A vet (in black) checks to see if the female was pregnant. She wasn't this time but there have been 15 pregnant females killed this year so far. The vet will often stamp on the uterus to check. If there is a baby it will be rushed away from the cameras - surprising considering that they claim not to be ashamed of what they are doing. They have also pretended that some females have been pregnant as a cruel joke to those documenting this.

Workers wait to use the various winches and machines that help dismantle the whales. Notice the large pneumatic saw steaming in front. They will use winches to pull parts off the whale as you will see later

A worker stands on top to separate the spine. Another worker walks to attach the waste to a winch so it can be dragged away.

A worker checking his watch. It takes surprisingly little time to take apart a whale that may weigh 80 tonnes.

Waste is hauled away to be discarded into holes in the floor of the whaling station

Huge pieces of the whale lay discarded on the ground

This pit contains the upper portion of a previous whale's head. You can clearly see her eye looking up. This effected me deeply. The pit contains some hot liquid with possibly some chemical. You will see in my previous post that the final result is what looks like cooked meat that can be stripped off the bone easily.

Further pieces laying on the ground waiting to be processed 

The tail of the whale now visible as she's been flipped over. Whale meat visible in the background. 

As they come to finish processing they flip the whale onto it's side. The sound it makes is awful. The whole experience is a sensory overload when combined with the sight and smells emanating from the station. The workers took a lunch break at this point.

Lunch break over, the workers get back to hauling parts around with hooks on sticks

Unfortunately it proved too much for one man to manage so his co-worker stepped in to help

Whale 117 waits on the slipway waiting to be processed, half in the water. The harpoon hole clearly visible behind its fin.

The upper part of the head from whale 116 upturned, her closed eye visible through the steam. This was one of the hardest parts for me to see.

Another view of the upper head of whale 116. In the background workers haul away something to the waste hole

Skin and blubber is dragged into the pit of water/chemicals to be disposed of

Despite the hairnet and resulting appearance of professionalism, this worker uses his boot to kick whale meat into a hole

Kicking another piece into the hole

I think this is a vet taking a sample from the head of whale 116. You can see the number carved into the bone on the right

A clearer view of the number 116 carved into the bone. This is perhaps done for record purposes.

The closed eye of whale 116 in the rain. One of the saddest sights I witnessed

Now it's the turn of whale 117. A winch is attached to the tail fin and she is hauled up onto the whaling station.

The winch pulling the tail fin, vets looking on, waiting to take their measurements.

Whale 117 hauled into position for processing. She was an average sized fin whale. You can still see she was very big.

The vets take size measurements whilst a worker goes about immediately removing the rope that attached the whale to the side of the boat. 

A close up of the harpoon wound reveals what appears to be the tip sticking out of the side (the hooked bit towards the top of the image) whilst the base is embedded just behind the fin. This suggests the harpoon has gone all the way through. We have no way of knowing how this affected the speed of her death but it is awful none the less.

The pneumatic saw in action cutting the spine of whale 116 into pieces. The power tool of nightmares.

Throughout the day the workers would spend time laughing and joking, sometimes waving up at us watching them. They clearly enjoy what they are doing.

The vet cuts into the whale to take samples for testing. In 2015 Japan rejected the meat for being too contaminated. It begs the question "what is the point then?"

Whilst the vets run their checks, another worker uses his boots to kick parts into a hole. I think this is perhaps the most upsetting aspect of it all. There is absolutely no care or respect given to the creatures. They are truly just considered as pieces of meat.

An overview of the station. There are the parts of at least 3 different whales visible here.

Work begins. The first cuts into whale 117 cause blood to pour out of her air hole.

Workers climb onto her to start dividing her up. The worker to the right sharpens his blade.

Further incisions prepare the whale to be skinned.

A cable and winch are attached to the skin which is then cut and pulled away from the body. 

It doesn't take long for the skin to be removed, a matter of seconds. In the mean time, workers continue to dump parts into the holes. The worker on the right using a chainsaw to cut up bone.

After a couple of minutes, the skin is removed. The vet is taking measurements, perhaps the temperature of the whale, whilst a worker sharpens his blade next to him, ready to start taking the meat.

As the meat was cut from the back, the smell returned worse than ever. It was at this point that a winch and cable were attached to the lower jaw and it was literally ripped away.

After some resistance, the jaw gives way and is pulled away to be cut up into pieces. On a day of awful images, this is up there as one of the worst.

Time to remove the front of the whale with the intestines, stomach and uterus all being cut free.

A winch and cable again being used to pull away the waste. The vet is standing ready to check if she was a pregnant female again. Thankfully she wasn't.

An incision causes water to flood out of the whale to much hilarity. A worker films everything for reasons unknown. We had all had enough by this point and decided to call it a day.

After leaving I headed to Akranes to try and clear my head. I was in shock at what I had seen over the previous 5 hours. I headed to the lighthouse thinking I may be able to see the other boat, Hvalur 8, return and warn the guys. Instead as I arrived at the lighthouse I saw Hvalur 9 already leaving the fjord to hunt again. She would return around 36 hours later with another 2 fin whales. 

I was just snapping images of Hvalur 9 sailing out as a record and not paying too much attention. When I got home I realised that the boat had been photo-bombed by what looked like a minke whale. The irony of this was not lost on me but it was a bright point on an otherwise distressing experience. After around 3 hours at Akranes, and no sign of Hvalur 8 returning, I left and headed home. Hvalur 8 would in fact stay out for an extraordinarily long time on the trip, only returning after more than 50 hours. Let's hope it is getting harder for the whalers to find the whales.

If you have reached this far, thank you for taking the time to go through these images. If this has affected you please do leave a comment below and do consider taking the time to write to the Icelandic government if you can. If you can't, perhaps I can ask that this post is shared. I can only do so much to raise awareness of this but I know that it does make a difference the more people that see this.

I will continue to follow the remainder of the hunting season and keep you updated of any new developments.

 

Witnessing Whaling in Iceland

I have decided to write a post about my recent experience where I witnessed part of the whaling process first hand. I will provide some background and information on the subject along with some photos that I took but I first want to be clear on my own personal views on whaling: I am against it in any form.

I believe that it is unnecessary, stemming from a time of poverty when food was in short supply and whales provided a lot of meat. The meat from the Fin whale hunt (which is the main focus of this post) is not consumed domestically and the company which hunts claims it doesn't even make a profit from sending it to Japan (where it was rejected in 2015 for being contaminated). 

I believe it is cruel. Harpooning a whale is not a quick death and scientific progress in recent decades shows whales to be extremely intelligent creatures. I believe that a certain level of humanity should be given to these animals but they are still hunted in the same way as they always have been.

I think it is hypocritical of Iceland, or any government, to authorise whaling whilst at the same time promoting tourism to Iceland, in part by advertising the opportunity for tourists to experience a whale watching tour. It's even worse when you hear that these whale watching boats are actually sometimes passing by the whale hunting boats. How this contradiction can even exist is beyond me. 

Disclaimer: Some of the images below may be distressing to some and I have posted them at the bottom of this post


Earlier this week I saw another article posted about Hvalur, the last whaling company in Iceland to hunt the endangered Fin whale. The article reported how the company had caught and landed a second Blue/Fin hybrid whale. The article is here. If true, this would be the second time the company had caught one of these whales this year. Icelandic law states this is legal, although the hunting of Blue whales is forbidden. 

Throughout this summer, Hvalur has been out hunting whales about 150 nautical miles off the West coast of Iceland. So far to date (Thursday August 30th 2018) they have hunted 109 Fin whales, 14 of them pregnant females, and 2 hybrid Blue/Fin whales. They have 2 boats that travel out on hunting trips for between 24 and 36 hours and in the last week they have been out almost 24/7 in the better weather. Each boat can catch 2 whales per trip. The whales are harpooned, killed and tied to the side of the ships and brought back to the whaling station in Hvalfjörður around 70km outside of Reykjavík. Here they are processed into meat and waste, the meat being sent allegedly for consumption in Japan. 

The last time the company hunted in 2015, the meat was sent to Japan only to be rejected by the authorities for being too contaminated with pollutants. Apparently the owner of the company, Kristján Loftsson, has stated that this "red tape" is the reason he did not hunt again in 2016-2017. He has also defended the practice of hunting pregnant females by saying that he firstly cannot tell if they are pregnant and that there would be something seriously wrong anyway if they were not catching some pregnant whales. There was a very interesting article about him recently in the New York Times which I encourage you to read here: Meet Iceland’s Whaling Magnate. He Makes No Apologies.

After the recent article I wanted to go and see if I could see anything at the whaling station for myself. Below is a map of the location of the station.

 

It is around a 1 hour drive from Reykjavík - you take a right turn before the tunnel under the fjord and follow the road all the way around beautiful Hvalfjörður. 

I wasn't sure what to expect. As I came to where the station is I saw what seemed to be an area for parking outside the fence, just above it. Having missed it initially, I turned around and parked up next to another car (the occupant is someone I'll come back to).

There is a fence with warnings along it but the view down to the station is unrestricted. I had an initial walk along the fence to where I could see lots of plastic boxes clearly filled with various whale parts. I would later learn that these were just the waste products. 

As I walked further I could then see a group of men working next to some sort of steaming pit. I slowly realised that they were finished up the processing of the last whale to be caught. The pit perhaps had boiling water or some sort of acid to strip the remaining bones. Some of the group were above cutting the bones clean with knives, others were dragging bits around. The thing that struck me most was the lack of any care in what they were doing. They were hacking away at what was left, dragging up bits of carcass, laughing and joking. It shocked me if I'm honest. I found it surreal, especially with the loudspeakers in the station blaring out Eminem's "The Way I Am". I won't be able to hear that song again without it reminding me of this.

I spent a good 10 minutes just observing and took a couple of iPhone snaps before deciding I would get my DSLR from the car to try and document something. As I passed the other vehicle I waved at the occupant who had been sitting there. I wasn't sure if she if she was part of the whaling company but it turned out she was with the Sea Shepherd UK organisation. She had been waiting to see if I was from the whaling company too!

I grabbed my camera and walked back with Brigitte who was able to provide me with information on what we were seeing. On arriving back at the viewing spot (the worst one in Iceland?) we could see some new activity. The boxes of whale "waste" were now being lifted by a forklift and dumped into two round holes. There were dozens of boxes which must have contained tonnes of this. Then the forklift started to bring over boxes with whale bones and ribs in and began dumping them into the holes too.

Whilst all this was going on the crew by the pit were waving and laughing up at us. Brigitte informed me that this was normal and they were pretty jovial. They seemed to think it was amusing that we were up there but left us to it. Well almost. A van did come up from the compound and parked up behind our vehicles for about 5 minutes, perhaps to record our vehicle information. If it was an attempt to intimidate it didn't really work and I don't think it was. We weren't doing any harm.

The pit crew, as I will now call them, had started up a chainsaw and were now cutting the massive spine bones down into smaller chunks. Some of these were put into containers with lids and sent to a separate storage pile, for reasons we don't know. Some of the other pieces were carried, with great hilarity by some of the crew who were pretending to be strongmen I think, to the holes where they were then dumped. One of the crew then thought it would be fun to do a handstand on one of the closed boxes which I unfortunately was unable to photograph in time.

It turns out I was witnessing the final clean up part of a fast moving and efficient operation. It had taken them only a matter of hours to drag the dead whale up to the processing area and in essence make it disappear. The team finished off everything by hosing the area down. And that was it! An 80 tonne whale taken apart in the space of a few hours.

Off to our left were the two remaining whaling boats in the fleet named Hvalur 8 and 9 by the Sea Shepherd group. As the clean up was finishing, they both made ready and set off to sea, starting the process all over again. Brigitte went off to record this for Sea Shepherd causing another round of laughter from below. We watched the boats sail painfully slowly out into the fjord.

Brigitte says that Sea Shepherd UK have had a group of volunteers in Iceland over the summer observing what has been going on. They would now watch for the return of the boats in around 24-36 hours, waiting for them to appear at the mouth of the fjord. They would then have about an hour to get back to the whaling station to document them bringing the whales in.

After about an hour or so watching, it was time for me to leave. Brigitte and I agreed to remain in contact as I wanted to go back to see them bring the whales to shore. In fact it would be around 30 hours later, at about 1 o'clock this morning before they would return, again with 4 more Fin whales. Unfortunately I was not able to go back today and by the time I would have arrived it sounds like they were already finishing up anyway. I fully intend to be there for one of the next landings, if they manage to do any more. Thankfully the weather looks poor for the coming days so I am hoping this delays their attempts to venture out significantly, perhaps until the season ends in a couple of weeks. We can only hope.


Closing thoughts

This has been a longer post than I had intended and light on images until the end. However, seeing only a part of the whaling process in person has effected me more than I thought it would. It is painful to watch videos of harpooning on YouTube or footage of grieving whales on something like BBC's Blue Planet. It's another experience entirely to see first hand a group of men taking a whale to pieces over the course of a few hours. For me the saddest part was seeing the boats departing. Their painfully slow progress out of the fjord was almost like torture. More so knowing that out at sea 4 innocent whales were happily feeding, oblivious to what was about to creep up and kill them the next day. To hear that 4 more were indeed caught made this moment all the more painful.

As I drove home that evening under a beautiful sunset, I actually passed the boats again at the mouth of the fjord sailing out to hunt. Off to their left were 2 large cruise ships full of tourists undoubtedly wanting to come and experience all the amazing things Iceland has to offer. Unfortunately, they were unaware that just across the water from them were 2 boats heading off to do some of the very worst things Iceland is known for. 


I will be heading back to Hvalfjörður to try and document whales being brought to shore. I actually hope that they are unable to hunt any more this season so I don't have to.

Thank you to Brigitte at Sea Shepherd UK for the information and keeping me up to date on what was happening. I have never met someone from a group like this before but her compassion for these creatures was clear for all to see. She had paid her own way to come out and try to do her part in documenting the process. You can support Sea Shepherd here: 

Sea Shepherd UK

You can also stay updated via their Facebook page where they have been going live with updates on the whaling regularly. Be warned, the footage is pretty distressing.

Facebook Sea Shepherd

If you feel compelled to help then they suggest the following, which I have done also:

"Please email or write polite letters voicing your support for Iceland's whale watching industry and the establishment of a national whale sanctuary in Iceland's territorial waters:

Katrín Jakobsdóttir
Prime Minister of Iceland
The Prime Minister's Office
Stjornarradshusid vid Laekjartorg
101 Reykjavik, Iceland
E-mail: postur@for.is

Guðmundur Ingi Guðbrandsson
Minister for the Environment and Natural Resources
Skuggasund 1
101, Reykjavik, Iceland
E-mail: postur@environment.is

Ferðamálastofa
Icelandic Tourism Board
FERÐAMÁLASTOFA
Geirsgata 9
101 Reykjavík, Iceland
E-mail: upplysingar@ferdamalastofa.is"


Ok, here are some of my images...you can click to view them larger

The whaling station with boxes of waste product visible by the steam and next to the holes where they'll be dumped

All that remains of an 80 tonne whale that had been swimming around 24 hours earlier

The crew cutting up what remains of the whale. You can just see the chainsaw top left

"Spineless" - pieces of whale spine are loaded into boxes. 

The whale ribs are discarded into the holes, a forklift required to lift them all

The waste remains are also discarded into these holes. I was surprised by how much was being thrown away

The remaining boat preparing to leave, the harpoon gun visible on the front

The first boat leaving to hunt

The second boat close behind

The saddest moment for me, seeing them depart to hunt 4 more whales

The #ShareMondays2018 Weekly Twitter Competition

On Monday, photographers can enter a weekly Twitter competition called Share Mondays. Using the hashtag #ShareMondays2018 (and previous to 2018 just #ShareMondays), photographers submit an image that was taken during the previous week. Once all submissions are in, the winner of the competition from the previous week then choose their favourites usually in the form of a long list, then a short list, before announcing their #ShareMondays2018 winner. The winner then has the honour of judging the entries the following week. 

The idea for it came from photographer Dylan Nardini (@shutrrelease on Twitter, his website with rules here) and it's really caught on in the community.

Dylan collected the images from the winners in 2017 into a book which was available for purchase. It has some fantastic images in it and I've shared a couple of them below along with links at the end of this post to the photographers mentioned and their Twitter pages too.

There are a couple of other weekly photography competitions also held on a Monday run by Fotospeed (using the hashtag #fsprintmonday) and Wex Photo and Video (using the hashtag #wexmondays). Often photographers will enter all three with the same image or different images. The two other competitions offer weekly and annual prizes and have their own set of rules which you can read about here for Fotospeed's and here for Wex's.

There are a few things I really like about the #ShareMondays2018 competition.

The community

Entries come from far and wide, the UK and overseas and from professional and non-professional photographers. There are no barriers to entry, no restrictions to what photographic genre is allowed and the winners include photographers who have won some of the big competitions as well as those who just do photography in their spare time. It encourages photographers to interact and look at each other's work and I know there are plenty of people who don't enter and just enjoy looking through the entries each week. Through my interest in the competition I have come to know a few photographers and be a part of a friendly and exclusive online community. 

The judging

Having a new set of eyes judging entries each week, in my opinion, makes this the best among the weeklies (as they're called). There are no preconceived notions of what will or won't win, it purely comes down to what the judge for that week likes. This can result in a real variety of images being shortlisted and winning and I think that keeps this fresh and interesting.

The quality

I have only been aware of the competition since later in 2017 but even in that short time I have been amazed at the quality of the images that are submitted each week. It's sometimes like having a new issue of Landscape or Outdoor Photographer of the Year every week! Considering that it is a weekly competition and maintaining standards week in, week out can be difficult, I'm always impressed by what is being entered and what images have been captured during the week. 

No pressure

You can pick and choose when you want to enter. Sometimes it's nice to just sit back and see what everyone else has been capturing in that week. If you don't enter, there is always the next week. The community nature of the competition means that you are not expected to enter and you can interact with those that do with your thoughts and comments. Sit it out for a week or two, enter if you want, it's a relaxed competition!

Inspiration

I think the competition encourages people to go out each week and photograph. I know I have been encouraged to do so to try and get something that may be worth entering. Even if I haven't captured anything worthy, it's still helped me to get out there and shoot some photography. I think it also encourages people to experiment and submit things they wouldn't under more rigid competition guidelines. I've submitted things I've been experimenting with and enjoyed the feedback I've received.


As I've mentioned previously I only came across the competition late last year and managed to pluck up the courage to drop in an entry or two, which people were kind enough to provide encouragement and feedback on. Since then I have submitted quite a few times, making a few long lists and shortlists and I'm delighted to say winning it twice so far this year!

My #ShareMondays2018 winning entry from January this year

My #ShareMondays2018 winning entry from July this year

Winning has really helped with my confidence as a photographer and I can safely say it's been one of the most rewarding photographic experiences I have had.

Of course winning means judging the next week and I am not ashamed to admit that I was really nervous about it in January. However, it was another fantastic learning experience and I would say another reason why I think every photographer should give the competition a go. Being the judge of a competition has given me a very different perspective on photography and how to consider images. Should I look at technical mastery? Should I pixel peep? Should I go with my gut? In the end, I went for the image that caught my eye and spoke to me the most. As a result I actually find myself not pixel peeping or being too technical about my own photography, instead trying to produce images that speak to me. I definitely think it has changed my photography for the better.

I had the pleasure to judge the competition again last week and this time I felt a bit more relaxed about it. You can see my long list selection below:

#ShareMondays2018 Longlist Monday 16th July 2018

Some incredible images in there and narrowing it down to a top four and a winner was not easy but in the end I went for an image with incredible energy from Tammy Marlar.

Tammy's winning #ShareMondays2018 image from July 16th 2018

Good luck judging next week Tammy!

I'd highly recommend photographers to enter #ShareMondays2018 with their images. It has had so many positive effects on my own photography as well as giving me the chance to get to know other photographers and discover work I'd likely not see otherwise. 

 

Links to the photographers mentioned in this post:

Experimenting with Infrared Photography

I'm a big fan of trying new things in photography and was kindly given an infrared camera recently that wasn't being used by a friend. I'll be honest, I haven't really felt a pull towards trying infrared photography and I wasn't sure what use I would have for it considering my focus has been on film photography recently. That said the camera was gratefully received a couple of weeks ago and I promised to give it a try.

The camera is a Canon G10 with a 720nm conversion. This is a point and shoot camera from 2009 with a 14.7MP sensor. It's a great little camera and I particularly like the analog controls and dials on the body, something sadly missing from most of the current modern cameras (Fuji aside).

 The Canon G10 with 720nm infrared conversion

The Canon G10 with 720nm infrared conversion

Funnily enough it was my complaints about the appalling summer weather we have been having (the worst in 100 years) that led to the camera being offered to me i.e. perhaps I could get some interesting cloud details in IR seeing as cloud is all we are getting at the moment!

Anyway, the first venture out was on a dog walk in the local neighbourhood. Being a point and shoot, it's easy to carry and hand hold so I slung it around my neck and off we went. 

I took a few snaps and on getting home loaded them up in Lightroom. Initial impressions were that the images were extremely different and captured some unusual details. Clouds are certainly rendered dramatically. Greenery is rendered almost snow white, which I already knew, but when contrasted against backgrounds (sky, water, walls) it stood out in a very unique way.

Editing wise I did a cursory read of a couple of posts relating to infrared processing and played with both black and white and colour images. Both appeal but I can see great potential for unique black and white work moving forward.

One note I want to make at this point is that I have purposely not spent hours reading and researching how to post process infrared images (and it may well show). It's not often we are able to approach something in photography without having a preconceived idea of how things should be done or how things should look. I therefore deliberately wanted to minimise the influence of other infrared photographers, aside from understanding the very basics, in order to create my own images and style. We shall see whether this works!

A couple of days later we took a trip out to Nesjavellir and the area around Þingvellir with our dogs. I took all my normal photography equipment but only ended up reaching for and using the Canon G10. 

I was pretty pleased with the results. It was another grey day but I was able to find a few different subjects which I thought would work well and I enjoyed playing around with post processing in black and white and in colour depending on the scene. When it is possible to get some colour from the sky I can see the potential IR offers in brighter conditions (when it is more traditionally used). That said, in grey conditions I really like that it can create real drama from the clouds. I even had a play with stitching a panorama together as seen in the beach image above.

One thing I did notice is that there is more noise in the images than I am used to. This despite keeping the ISO at a very low 80. I imagine this is due to the nearly 10 year old sensor technology and it isn't a huge issue. In fact it gave me an idea to experiment with stacking and averaging images of the same scene in the future to reduce the noise and possibly even create larger super resolution images (similar to how pixel shift works in modern cameras).

I ventured out again last week to explore a road that has been closed all winter and which only just reopened. This wasn't intended to be a photography trip, more of a scouting mission to determine if the road was passable. As such I grabbed the little G10 and headed out. Here are some images from the journey. 

I again found myself really enjoying using the G10. Aside from infrared still being a novelty for me, having a point and shoot, and therefore a portable little camera, was also extremely helpful. I forget how limiting it can be sometimes to heft around a DSLR or film camera with a set of lenses and associated accessories. Being able to grab the camera, flick it on and grab an image was refreshing. These images show me the potential of infrared when there is good light. The landscape can be lit up with what almost appear to be floodlights. Combined with a dramatic sky, I can see myself really enjoying this type of dramatic IR photography in the future. I only wish that Mamma Sheep had looked up when the light was on the hill but unfortunately she didn't.

 A final panorama

A final panorama

So this has been my first foray into infrared photography and I'm by no means an expert or producing amazing work. I am enjoying it immensely though and I think this is the most important thing. It opens up some new creative opportunities for me with the landscapes here and I definitely see myself adding it to my portfolio as my skills and understanding improve. I am very grateful to Richard Stern in the US for sending me his camera and encouraging me to give it a try - thank you Richard!

Iceland Travel Guide Incoming!

  • UPDATE! This is now available to buy from the links below!

Hey guys,

Just a quick heads up to say that this useful guide is being released next week (9th July). It's a short read but contains plenty of useful information for anyone coming to Iceland or planning to come to Iceland. My extremely talented wife put it together and of course I'm biased in saying that I think it's great!

It's called "Essential Traveller Tips to Know BEFORE You Visit Iceland" and it's currently available for pre-order as an ebook from Amazon.

Amazon UK - https://goo.gl/shnFRq

Amazon US - https://goo.gl/xDRrD8